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Tjarnarsalur, Ráðhús Reykjavíkur
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November 12
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Balfour Reparations (2026-2046) is a compelling performance lecture that examines the UK’s colonial legacy in Palestine, focusing on Arthur James Balfour, Prime Minister (1902-1905) and Foreign Secretary (1916-1919), and his role in denying Palestinian political rights. Utilising Critical Fabulation and Afrofuturism, Saleh intertwines history, fiction, and fantasy, drawing inspiration from archival materials.
Join us in 2046, as a member of the Reparations Committee, reflecting on a fictive apology letter issued by the UK government in 2026, promising reparations to the Palestinian people. What does accountability look like? What might justice mean?
Farah Saleh is a Palestinian dancer, choreographer and scholar based in Scotland. She has studied linguistic and cultural mediation in Italy and in parallel continued her studies in contemporary dance. Since 2010 she took part in local and international projects with Sareyyet Ramallah Dance Company (Palestine), the Royal Flemish Theatre and Les Ballets C de la B (Belgium), Mancopy Dance Company (Denmark/Lebanon), Siljehom/Christophersen (Norway) and Candoco Dance Company (UK). She was an Associate Artist at Dance Base in Edinburgh 2017-2021 and in 2023 she earned her practice-based PhD from Edinburgh College of Art. In 2024, Saleh started a lectureship in Global Majority Performance at Theatre Studies Department at Glasgow University.
Concept and choreography: Farah Saleh, in collaboration with
Film & Sound Design: Lucas Chih-Peng
Research: Nicola Perugini
Dancers: Nadia Khattab and Jamal Bajali
Rehearsal support: Luke Pell
Graphic design: Michaela Pointon
Music: Kim Moore, Wasef Jawhariya
Creative Producer: Helen McIntosh
Facilitators: nxa Parinussa & Luke Pell
Lighting Design: Emma Jones
PR Associate: Joy Parkinson
Marketing Associate: Serden Salih
Production Manager: Fi Fraser
Supported by: IASH, Culture&, Made in Scotland, Scottish Government, Creative Scotland, Made in Scotland onward touring fund.
Not designed for deaf or blind audiences.Optional audience participation.
The performance is part of the Reykjavík Dance Festival program. The festival program can be found at https://www.reykjavikdancefestival.com/

